Malou van Doormaal | TrainCamp Project
As a group of priviledged professionals, we travel by train to a conference on sustainability. It is logical to focus on the material world, mainly designed as a disposable society. But how sustainable are our social contacts?
JOURNEY
The journey. This takes a few days by train, but who benefits? We as artists of course, because we can investigate what is important to us, we enter into a new experience and expand our network. But when you talk about sustainability, it’s not just about what it delivers to you, but also about how nature, animals and other people can benefit.
I would like to focus on the relationship we enter into with the people we meet. Our fellow travelers, the staff on the train, professionals at meetings, passers-by at the station. Thinking about sustainability is quick about materials (wood, for example;)) and products, but less about the sustainability of our networks. This while these are often subject to change.
In the past, without becoming nostalgic and sentimental, by the way, people were married for life and once you were with a boss, you could often stay there until you retired. Love and work relationships have become much more voluntary and flexible. Friendships have also changed a lot due to increasing mobility because they have become less dependent on their place of residence, for example. Contacts are easy to make through the internet, but also easily forgotten.
We are travelers, tourists. People who consume and use exotic locations for our own purposes. I associate this with colonial activities, but rather to expand the power and status of an individual. In this project we are going abroad to work, being expats, labor migrants for one week. But what are the benefits for the local populations? Apart from some money, work and nuisance?
How can our temporary presence become sustainable? I want to investigate this during the trip.
My first thought is to literally make myself available for help. As a kind of reverse service provider (such as a waiter, nurse or store employee). How can I help you? What can I do for you? Not something that gives instant satisfaction, but something that will still benefit someone in a few years.
By asking that question I hope to make contact. As a result, short interventions will arise. Maybe this consists of doing repairs, helping with the dishes, learning a language, solving arguments or making contacts. I want to do this in defined time periods, since the journey is of course also divided into different moments. After the intervention has taken place, it is sealed with a certificate or proof.
I think such a format has a lot of potential for further development. Within the process before, but certainly also during the journey. It could lead to a collective action that is not only supported by me, but by several people. The documentation is important to generate short texts and images, so that it can also be made transparent to other people.
INTERVIEW (IN DUTCH)
MALOU VAN DOORMAAL
Artist with social background
Malou van Doormaal challenges the status quo by making absurd and poëtic situations.
As an artist with a background in social work, most works involve interaction with people to question the usual within communities.
Malou graduated in 2014 from St. Joost in Den Bosch.
REFERENCES
Re-inventing happyness
The secret Artwork
Are you a happier?
This is an art problem
Dogs / Doggybag

